De la Nicolae Grigorescu |
Between 1856 and 1857, he painted the church of the Zamfira monastery, Prahova county, and in 1861 the church of the Agapia monastery.
De la Nicolae Grigorescu |
However, he soon left this workshop and, attracted by the artistic concepts of the Barbizon school, he left Paris for that village, where he became the associate of artists such as Jean-François Millet, Jean-Baptiste Camille Corot, Gustave Courbet and Théodore Rousseau. Under the influence of the movement, Grigorescu looked for new means of expression and followed the trend of en plein air painting, which was also important in Impressionism.
De la Nicolae Grigorescu |
De la Nicolae Grigorescu |
In 1877 he was called to accompany the Romanian Army as a "frontline painter" in the Romanian War of Independence. During the battles at the Grivica Strongpoint and Oryahovo, he made drawings and sketches which later used in creating larger-scale works.
In 1889 his work was featured in the Universal Exhibition in Paris and at the Romanian Atheneum. Centerpiece exhibits took place at the Romanian Atheneum would follow in 1891, 1895, 1897, 1902, and 1905.
From 1879 to 1890 he worked in France, especially in Vitré, Brittany, and in his workshop in Paris. In 1890 he settled in Câmpina and started depicting pastoral themes, especially portraits of peasant girls, pictures of ox carts on dusty country roads and other landscapes. He was named honorary member of the Romanian Academy in 1899.
At the moment of his death, Grigorescu had been working on his Întoarcerea de la bâlci (The Return from the Fair).
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